32nd Morabanc Andorra la Vella season. 'Il Maniatico Ensemble La 4a de Mahler'

The Il Maniatico Ensemble offers an unexpected version of Gustav Mahler's Fourth Symphony, one of the most special and easily understandable compositions by this Austrian author. This adaptation for chamber ensemble has been created by the British musician Iain Farrington. This adaptation transforms the original large-scale symphonic formation into a considerably smaller instrumental group. Despite the reduction, the expressive and timbral richness of the piece is fully maintained. A string quintet, flute, oboe, clarinet, bassoon, horn, trumpet, trombone, percussion, timpani and harp have the task of recreating Mahler's sound world from a closer, more transparent and intimate perspective. The audience will be able to enjoy an interpretation that stands out for its contrasts, where delicacy, humor, fantasy and intensity intertwine through the four movements of the symphony. From the evocative beginning, with the sleigh bells and the flute, to the points of maximum sound expansion, the composition progresses with exceptional vitality, highlighting the interaction between the various instruments. The initiative of the Il Maniatico Ensemble, a chamber group created by oboist Robert Silla and composed solely of members of the Orquesta Nacional de España, is based on the great harmony among its members. Without the presence of a conductor, the musicians build their interpretation based on reciprocal listening and remarkable freedom of expression. This formation includes first-rate artists such as Ane Matxain, Mario Pérez, Alicia Salas, Josep Trescolí, Laura Asensio, Álvaro Octavio, Eduardo Raimundo, Enrique Abargues, Robert Silla, Manuel Blanco and Pedro Jorge. Behind its luminous and, apparently, carefree facade, Mahler's Fourth reveals a composition rich in detail. The creator fuses passages of great beauty with moments bordering on the grotesque and elements of popular tradition, creating a soundscape that continuously fluctuates between innocence and subtle agitation. The musical journey reaches its climax in the fourth movement with Das himmlische Leben (The Heavenly Life), a lied for soprano and ensemble based on a text from Des Knaben Wunderhorn. Soprano Margarita Rodríguez gives voice to this image of paradise, narrated from a child's perspective, in an outcome that brings together all the poetry, innocence and ambiguity present in the symphony. With this adaptation, Mahler's work achieves a new depth: it becomes more direct, meticulous and accessible, without renouncing the complexity or power of its orchestral conception.

Data from the sources named on each event, among them agenda.ad, the cultural agenda of the Government of Andorra, the comuns and Andorra Turisme.